Curator of applied arts and design in Auckland museum
Creating the
the non-linear narrative.
In what ways do jewellery empower change?
How might deliberate acts
of making and wearing forge new futures?
Can we adorn ourselves with
alternative system of value?
Consider the history of adornment relying heavily on exploiting natural
resources and human labour.
Looking at Maori pacific view on
jewellery vs western contemporary scholars’ view
Curators are able
to give voice to certain artists and conversations by presenting work at
an institution.
Her curation process is always in conversation with
the artist.
What motive do we choose to adorn ourselves with?
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